Meghan Markle Wore A Yellow Dress, So We Wore A Yellow Dress

As much as we may want the trend of named monochromatic color schemes to die (looking at you millennial pink and melancholy purple), our saved Instagram folders, shopping habits, and now Meghan Markle say otherwise. If we were verbally ready to kick Gen-Z yellow to the curb, Meghan Markle just eradicated that by validating the yellow pieces we’ve been silently holding out for. Breaking her long running love affair with play-it-safe neutrals, the newest member of the Windsor family recently took a turn at some color in a bright yellow Brandon Maxwell dress.

While Markle’s sheath dress still falls under the royal appropriate friendly – you won’t find any frills here – her dress hue is undoubtedly more trend-driven than anything she’s worn in the past. Notorious for her post-nuptial Givenchy streak and an affinity for basics, seeing her in a bold and Instagram approved color choice just puts her one step closer to “relatable.” And because Meghan Markle’s fashion choices have more power than Regina George could have ever wished for, we’re already sourcing all of the yellow dresses we can wear, stat. Thanks to Markle, Gen-Z yellow is here to stay and here’s 25 ways you can revel in it.

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12 Reasons To Swap Out Your Baby Blues For Some Colored Denim

If your wardrobe is awash with sea-blue denim…well, what’s new? Nothing else manages to be comfortable and chic in equal measure. The only question that remains is how to prevent it from being too predictable.

Beyond the new wave of refreshed washes and finishes that have breathed renewed life into our mainstay fabric, there are loads of new ways to do denim this season. We’re suggesting you chase the rainbow with the latest colored options brighten up your summer. It’s time to ditch your indigo favorites in favor of something a little fancier. From soft pinks to punchy reds, here are 12 ways too brighten up your denim this year.

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The Problem With Fashion Making Pride Collections

It’s 2018 and pride is — finally — everywhere. Everywhere. Not ‘pride’ in its original, positive, and political sense as a visible opposition to fear and shame, but ‘Pride’ with a capital, capitalist ‘P’. Much like feminism and mental health in recent years, Pride (and other catch-all phrases like ‘equality’ and ‘love is love’) has become a slogan to literally wear across your chest — supplied by any fast fashion brand you care to think of.

Visibility — and visible support of LGBTQ+ people — is fundamental. Seeing LGBTQ+ people on billboards and feeling seen can make a concrete change in a queer person’s life, especially at a young age. That representation can be the difference between isolation and fear, and feeling normal, connected, and empowered by a strong sense of self. Likewise, visible alliances from cis, straight people has the capacity to be life changing. And slogan T-shirts can act as a vehicle to communicate that unconditional connection in public. It’s a non-verbal communication tool, and it’s powerful.

Photo: Courtesy Of Topshop/Charles Jeffery/Loverboy

But upon looking at who is making these collections, it’s worth pausing. Because it can be hard to thread the needle of how, beyond this easy sloganeering and a nominal donation to an LGBTQ+ charity, these collections are actively supporting a marginalized community. From intention to manufacturing methods to sizing, many fall conspicuously short.

Having collections designed and modeled by LGBTQ+ people is often a good start. To not only create the clothes but give designers and models a platform for their creativity is supporting people in the most literal way, both financially and in terms of a platform. This can also produce the most interesting, creative collections – take Topshop’s collection of T-shirts with Charles Jeffrey, featuring original artworks from five young LGBTQI+ artists. Each of the artworks, personally commissioned by Charles, celebrates one of five rights that have been fought for by the LGBTQI+ community in the UK: the right to gender recognition; to adopt; to marriage; to serve (in the military); and to intimacy.

Then again, when a brand endeavors to be more creative, the well intentions behind it can fall flat when it prioritizes celebrity names – as has happened with adidas’ collection, where supermodels Kate Moss and Naomi Campbell, musicians Skin, Elton John, Pharrell Williams and Liam Payne, designer Marc Jacobs, David Beckham, and nightlife icon Amanda Lepore each made over a pair of Sambas, working to a ‘prouder’ theme. Many of the designers chosen don’t publicly identify themselves as part of the LGBTQ+ community (and Skin, the only lesbian among them, isn’t included in the majority of the press release copy); Liam Payne, meanwhile, doesn’t seem to understand what Pride means, given his quote in the Evening Standard. And the man behind the campaign says he wanted to show that Pride “is not about feather bowers [sic] or walking the streets in drag” – as though this is something we should be ashamed of. This manifestation of Pride, clearly, is not for all of us.

Photo: Courtesy Of Asos

Incidentally, it’s another big sportswear brand whose designs have caused some of the most backlash. One part of Nike’s ‘Be True ‘ collection is argued by some to be the most tone-deaf of 2018: choosing to feature the pink triangle. The same pink triangle that was used to mark LGBTQ+ people (mainly queer men) who were murdered by the Nazis, and was then re-appropriated and inverted during the AIDS epidemic to draw attention to the murder of those affected by AIDS by willful and phobic state neglect. This is a symbol that is explicitly political and oppositional, unlike the rainbow flag.

Moving beyond the designs themselves, who wears them on-screen (and who can wear them off-screen) is another area ripe with problems. Oftentimes, it is only one vision of queerness we see in the lookbooks: a slim, cis woman with short hair or a thin, cis man in lipstick. This vision gets even narrower in product shots. While some collections have diversity of both size and skin color in their catalogues and product shots (like the ASOS x GLAAD& collection), they are the exceptions — not the rule. The wealth and range of what queerness is and can be is still, if not completely confined to, then tempered by the narrow, exclusionary, and uncreative beauty standards that still dominate Western media. And that’s only the models – the diversity problem extends to sizing, as well. Fat people are queer, too, but you’d be forgiven for thinking it was a straight size thing (no pun intended). When your collection doesn’t cater beyond a size 16 (and several don’t), you are reinforcing the idea that there is one acceptable version of queerness, and that fat people are not part of it.

Photo: Courtesy Of American Apparel

There is also the question of how the brand treats LGBTQ+ people when they aren’t in front of the camera. It’s one thing to create a campaign that supposedly centers us, but how are we treated in your shops? There is a bitter irony to Pride campaigns coming from retailers that have actively discriminated against queer people. Take Folks like Travis Alabanza, who was subjected to a smear campaign for trying to use Topshop changing rooms as a gender-nonconforming person. Alabanza says the retailer did little to support them following the incident and has only just apologized – at the end of Pride month – but the brand does, of course, have a Pride campaign. As Travis told us: “I think this is a wider symbol of how brands deal with ‘pride’ – hollow gestures with no actual follow through.”

Then there are the facts of fast fashion itself. The countries where the majority of fast fashion is manufactured are places that have a history of explicit, and in some places legal, discrimination towards LGBTQ+ people. Take Bangladesh, the second largest garment exporter in the world and where the vast majority of fast fashion companies will have their clothes produced. Homosexuality has been illegal in Bangladesh since 1861 – a law that was actually inherited from the British Empire. Colonialism established a legacy of pervasive discrimination against LGBTQ+ people – and now the same people are making Pride T-shirts for companies that often don’t even provide safe working conditions, let alone support queer communities.

Photo: Courtesy Of Boohoo

The branding of Pride should fully benefit all LGBTQ+ people. And what ultimately connects a lot of these collections is that they aren’t doing enough; in several cases, they are doing the bare minimum. There’s something to be celebrated in the fact that there are so many Pride offerings this year. Fifteen, ten, even five years ago, it’s safe to assume we’d see a lot less (or none at all). But that’s because it is no longer a radical act to publicly, outwardly, support our marginalized community. Brands are not sticking their neck out to support us, they’re just aligning their neck with the rest of the market. The fight for rights, acceptance and freedom for all LGBTQ+ people has so many more battles left to win; battles that could be helped by brands taking an actually radical and courageous stance.

Trans and non-binary people deserve to feel safe when they’re shopping. LGBTQ+ people of all sizes deserve to be loved unconditionally, valued, and integrated into our community. LGBTQ+ designers and artists deserve to be celebrated all year round. And we should actively fight for the rights of LGBTQ+ people around the world – not just those in front of us.

This ‘celebration’ of us isn’t actually a celebration of us. It’s a capitalist strategy to make money out of us, by appropriating yet another political movement. It’s inevitable, but that doesn’t mean we shouldn’t ask for more. Though some brands are pledging 100% of sales, or even 50%, a donation between 10% and 30% to a single charity (as with most of these collections) is not enough. The first Pride was a protest — not a party. And the inequalities and injustices that our community were protesting about then still happen now, all around the world, every day. Rather than letting fast fashion provide our party outfits, we must pressure these multinational brands (some of the richest businesses in the world) to give us something to really celebrate.

Photo: Nike Air VaporMax Plus BETRUE

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21 White Jeans To Officially Welcome Prime White Jeans Season

More old school than the rules themselves is bothering with adhering to fashion “rules.” We wear “unflattering” silhouettes on purpose, we’re not afraid to throw on a pair of sneakers with an evening gown, and we’ve pretty much ditched bras altogether. And, if there’s one “rule” we’ve thrown straight out the window, it’s not wearing white after Labor Day.

With Memorial Day already in our rearview mirrors, we find ourselves asking, ‘How is this even still a thing?’ Because if we want to cozy up in some winter whites, we’re damn well going to — and no one can tell us otherwise. But, since the official start of summer (a.k.a. our first heatwave) is here, for those who may not be as adventurous, we’ve rounded up some white jeans to officially welcome prime white jeans season. Because even though we say you can (and should!) wear them all year round, we’ll admit they do feel particularly appropriate at this time of the year.

Click on to welcome summer with a crisp, fresh pair of white denim. Just go easy on the ketchup, okay?

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Justin Bieber’s Hotel Slippers Will Outlive Us All

It’s long been said that only cockroaches can survive an atomic bomb. But I’d like to add one more gross survivor to the list: Justin Bieber’s hotel slippers.

In the month of July, Bieber has been seen wearing a pair of white hotel slippers at a restaurant, in a parking lot, on the beach, and on the streets of New York City. They’ve accompanied the singer from the Hamptons to Manhattan. They’ve survived a car breaking down, a beach picnic, and the piss-filled streets of the Big Apple. Not only that, but they are still magically white which makes me believe that he has an entire suitcase that contains just rows of these nondescript white hotel slippers (which I think I just found on Amazon.com?). These slippers are for the commute from the bathtub to the bed, not the West Village to SoHo.

Hailey Baldwin, his ex turned church friend turned current girlfriend, has remained faithfully by his side, seemingly unfazed by his audacity to continue wearing this fucking slippers in public. But wait, there’s more. This is not his first time pulling this “be rich, look poor” Andy Warhol move. No, last year he spent his summer wearing hotel slippers all over Beverly Hills. GQ tried to tell the singer that hotel slippers are not the same thing as summer slides, but alas, one year later and same crime is being committed.

My feelings on the matter can best be summarized by the chorus of “Summer Games,” by Drake: “Breakin’ my heart – breakin’ my heart – breakin’ my heart —
Breakin’ my heart – breakin’ my heart/
Brea– Brea– Brea– Brea– Brea– Brea– Brea– Brea- Brea…”

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